Facing... |
A description of the alignment of the body, when it is the same as the feet.
Example: Facing Line of Dance, Facing DC. |
Fake |
Changing from the usual foot by either skipping or adding a step to the normal step pattern. |
Fallaway Position |
A V-shaped dance
position similar to Promenade Position, but
with man and lady moving backward. |
Fan |
(1) A basic figure used in the International Style Rumba
and Cha Cha, incorporating the Fan
Position. (2) A swivel taken on one foot, ended with the free foot pointing to the side. |
Fan Position |
Dance position where man and
lady stand at right-angles, lady on man's left side. Man holds lady's right hand in his
left. |
Feather |
A Foxtrot movement involving 3 progressive steps, the third step usually taken with lady in
Right Outside Partner Position. Types of
Feather movements: Feather Step, Feather Finish, Feather Finish from PP, Hover Feather,
Curved Feather, Back Feather. |
Fellow |
The fourth complete level of the International system, representing
the highest level of acheivement of syllabus patterns and concepts. |
Figure |
A standardized step pattern which, together with other
patterns, constitute the basis of a dance. |
Flat |
Desccribed in the footwork
section of the chart, abbreviated "F", or "WF" (for whole foot). |
Flex (Foot) |
(1) To incline the foot in such a way that it is
placed at an angle nearly perpendicular to the leg. (2) An inclined
position of the foot which is acheived when the heel is still in
contact with the floor, but the ball is not.
Figure
(1) and (2): Flexed Foot
|
Flick |
An extention of the lower leg taken in a sharp or
staccato manner. |
Flirtation Position |
A variation of the Shadow
Position where the man and lady are in very close contact. Usually, the hands are
connected in the following way: Man's LH to Lady's RH, and Man's RH to Lady's LH. Also
known as Cuddle Position. |
Floor Craft |
The ability to maneuver around the dance floor in a
skilled, controlled, and courteous manner. |
Following |
Correctly reacting to the movements and signals given
by the leader, through one or more conncetions (visual
and/or physical). |
Follow-Through |
The passing of the moving
foot underneath the body between steps. |
Foot Positions |
(1) Indication of the placement of the feet relative
to each other.
Examples: LF Forward, RF Side, LF Diagonally Back.(2) The five
positions of the feet as defined in Ballet, which are:
- First Position (together)
- Second Position (apart, side-by-side)
- Third Position (heel to instep)
- Fourth Position (apart, one foot forward)
- Fifth Position (toe to heel)
See also: Technical
Tips: Foot Positions |
Foot Pressure |
Pressure applied to the floor through the free foot, often a result of having partial body weight on it. |
Foot Rise |
Elevation of the body through the use of the ankles,
by pushing up onto the balls of the feet. |
Footwork |
The part of the foot in contact with the floor at a
specific point in time. Examples: Ball, Heel, Inside Edge of Whole Foot. |
Formation Team |
A group of three or more dancers who perform ballroom-style
routines. |
Foxtrot |
A smooth dance introduced
to the public in 1913 by Harry Fox, noted for being the first dance to incorporate into
the rhythm a combination of Slows
and Quicks. Foxtrot is characterized by smooth, walking-style
movements, but can be adapted to fit a variety of musical tempi
and style, or to fit onto small, crowded nightclub dance floors. |
Frame |
The position of the arms and top
line while in dance position. |
Free Foot /
Free Leg |
The foot or leg that does not have the majority of body
weight, being free enough to move. |
Freestyle /
Freestyle Division |
A division of competition whereby the man leads the lady through an
improvised set of figures, without relying on pre-determined choreography or dance routines. |