DANCE LESSON OF THE MONTH - SPINS & TURNS
What is Spotting?
Spotting serves several purposes. The following is a list of the most common benefits of spotting during turns:
When you spot, the goal is to keep the head fixed in space while the body turns underneath. This is best accomplished by maintaining visual focus on a particular object in the room.
Generally, the range of motion of the neck allows the head to turn almost 180º, from one shoulder to the other. When the body has turned to the point that the neck has reached its maximum range of motion (with the head looking over one shoulder), the head will quickly turn around to the opposite side (the other shoulder) to focus on the same spot. The action of quickly switching the head is known as Re-focusing the Spot, and should be done in a very swift motion in only an instant.
Because the range of motion of the neck is slightly less than 180º, the spot can only be "held" (focused upon) for slightly less than 180º of the entire turn. The other *slightly more than* 180º or the turn occur with the head not focused on the spot, as it switches from one shoulder to the other.
Foucused and unfoucsed half of the turn: When the body is turned to a direction within the light gray area, the dancer can maintain focus on the spot. When the body is turned to a direction within the darker gray area, the focus cannot be maintained on the spot, and the head will turn from one shoulder to the other.
Notice in the animated picture at the top of the page that the head is looking forward for approximately one-half of the turn, but for the other half, it appears to be looking away. Actually, it's turning from one shoulder to the other, or "re-focusing the spot".
If you watch the animation closely, you'll notice that the action of re-focusing the spot appears to be very slow. The reason for this is that the body is turning at a constant speed. In order to re-focus the spot with a swift motion, the body would need to turn much faster during the unfocused half of the turn than during the focused half. This is the challenge in learning to spot.
The following is a video clip of a spin taken with the dancer spotting. Notice that the first half of the turn is the focused half, while the second half is the unfocused half, where the dancer is re-focusing her spot. Notice also that the first half of the turn takes up almost all of the time, while the second half is accomplished in an instant. This is the desired technique, as it keeps the dancer's focus on the spot for the maximum possible amount of time.
Important facts about spotting:
Copyright © 1997 Jonathan W. Atkinson and Ballroom Dancers.com.